Here are a few possible translations, ranked by preference: 1. **Iranian Culture** (Most direct and accurate, likely the best option) 2. **Persian Culture** (If the focus is specifically on the language and artistic traditions, this could be used.) 3. **Culture of Iran** (Slightly less concise, but still accurate and perfectly acceptable)
According to IRNA, he added: Iranian culture is composed of all the cultures of the different ethnicities of this land, but this issue has not yet been understood as it should be.
The prominent Iranian composer and musician continued: I am not a representative of classical or traditional music here. As an Iranian, I stand here to say that the music of Mazandaran, the music of Kurdistan, the music of Khorasan, the music of Turkmen Sahra, and the music of all parts of Iran are all my music. This culture is the most valuable asset and capital of our society, and in my opinion, the value of the oil we have is less than that of culture. What gives us the power to hold our heads high in the world is relying on culture.
Alizadeh noted: When I was working on music as a child, the question for me was, what is local music? When we are Iranian, we must know that everything that exists as the diverse cultures of different ethnic groups in this land makes up our Iranian identity.
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The camera begins to slowly zoom out, revealing more of Michael Hartman's face, his shoulders becoming visible. The background starts to show hints of the desolate urban setting. Blurred figures are visible in the distance, blending with the shadows and muted tones of the desolate street. The oppressive atmosphere is heightened by the stark contrast of light and shadow.
Naser Teymurpour's Account of the Woman, Life, Freedom Uprising
The works of Naser Teymurpour, an Iranian artist residing in London, have been exhibited in a show titled "Head Lines" in the city. This collection is an artistic reflection of recent developments in Iran and the Middle East, particularly addressing the Woman, Life, Freedom uprising.
In these works, Teymurpour has depicted pains, collective memories, and social experiences through the lens of art, and has attempted to convey the concept of resistance, suppression, and hope to the audience through visual language. The works in this exhibition utilize diverse techniques and reflect deep social and political emotions.
The exhibition was held from 7 to 9 Farvardin 1404 (March 27 to 29, 2025) at eARTh Space in London and has been widely welcomed by art enthusiasts and cultural activists.
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