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16.06.2025
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             References:

 

1.        Martha Rosler (1943 US)

2.      Molesworth, Helen, 2000. 'House Work and Art Work', October, 92 (Spring), pp. 71-97. Available at: http://www.jstor.org/stable/779234 [Accessed 15 May 2016].

3.      Semiotics of the Kitchen

4.      Molesworth, Helen, 2000. 'House Work and Art Work', October, 92 (Spring), pp. 71-97. Available at: http://www.jstor.org/stable/779234 [Accessed 15 May 2016].

5.      Goodman, Emily Elizabeth, 'Martha Rosler, Semiotics of the Kitchen', Smarthistory. Available at: https://smarthistory.org/martha-rosler-semiotics-kitchen/ [Accessed 7 March 2025].

6.      Molesworth, Helen, 2000. 'House Work and Art Work', October, 92 (Spring), pp. 71-97. Available at: http://www.jstor.org/stable/779234 [Accessed 15 May 2016].

7.      Hanisch, Carol. 1970. "The Personal is Political." In Notes from the Second Year:

Women's Liberation, pp. 76-78.

8.      Linda Nochlin (1931 US-2017 US)  

9.      Why Have There Been No Great Women Artists?

10.   Nochlin, Linda. 'Why Have There Been No Great Women Artists?' in Feminism and Art History: Questioning the Litany, ed. by Norma Broude and Mary D. Garrard (New York: Harper & Row, 1982), pp. 145-176.

11.      Sammlung Verbund (2016) Feminist Avant-Garde of the 1970s: Works from the Sammlung Verbund Collection, Vienna, 7 Oct 2016–15 Jan 2017, p. 40. The exhibition comprises over 200 major works by forty-eight international artists.

12.    Judith Butler (1956 US)

13.    Butler, Judith, 1990. Gender Trouble: Feminism and the Subversion of Identity. Routledge, pp. 1-25.

14.   Goodman, Emily Elizabeth, 'Martha Rosler, Semiotics of the Kitchen', Smarthistory. Available at: https://smarthistory.org/martha-rosler-semiotics-kitchen/ [Accessed 7 March 2025].

15.   Gender Trouble: Feminism and the Subversion of Identity

16.   Butler, Judith, 1990. Gender Trouble: Feminism and the Subversion of Identity. Routledge, pp. 1-25.

17.    Molesworth, Helen, 2000. 'House Work and Art Work', October, 92 (Spring), pp. 71-97. Available at: http://www.jstor.org/stable/779234 [Accessed 15 May 2016].

18.   intersectional feminism

فمینیسم همپوشان یا تقاطعی به بررسی و تحلیل نابرابری‌ها و تبعیض‌ها از جنبه‌های مختلف مانند جنسیت، نژاد، طبقه اجتماعی و سایر هویت‌ها می‌پردازد.

 

19.   Molesworth, Helen, 2000. 'House Work and Art Work', October, 92 (Spring), pp. 71-97.      Available at: http://www.jstor.org/stable/779234 [Accessed 15 May 2016].

20. Duchampian traditions

به رویکرد هنری Marcel Duchamp اشاره دارد که در آن آثار هنری معمولی به چالش کشیده شده و مفاهیم جدیدی از جمله استفاده از اشیاء روزمره به عنوان هنر و بازی با انتظارات مخاطب مورد توجه قرار می‌گیرد.

  

21.    Molesworth, Helen, 2000. 'House Work and Art Work', October, 92 (Spring), pp. 71-97. Available at: http://www.jstor.org/stable/779234 [Accessed 15 May 2016].

 

 

Image and Cover Image Source:

1.        Rosler, Martha. (1975) Semiotics of the Kitchen (Film Stills) [Photographic stills from video performance]. Available at: https://www.wikiart.org/en/martha-rosler/semiotics-of-the-kitchen-film-stills-1975 (Accessed 15 May 2016).

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