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25.06.2025
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1.       "Birds of Paradise" (2013) – $950,000

 

- Auction House: Phillips Dubai

- Sale Date: 19 November 2021

 

- Significance:

  - Her second-highest auction price at the time (after The Sun). 

  - Part of her iconic "Geometric Flora" series, blending Islamic patterns with organic forms. 

- Buyer: Reportedly acquired by Sharjah Art Foundation for their permanent collection.[13] 

 

 

2.     "Sixth Family" (2009) – $670,000

 

- Auction House: Christie’s Dubai

- Sale Date: 20 March 2019

- Key Details:

  - A 4-meter-wide mirrored wall sculpture with Kufic calligraphy. 

  - Sold 2 weeks before her death, during peak market interest. 

  - Provenance: Exhibited at Venice Biennale (2015).[14] 

 

 

3.     "Untitled (Star)" (2014) – $520,000 

 

- Auction House: Sotheby’s London

- Sale Date: 28 October 2020

- Why Notable?

  - First star-shaped mirror work to appear at auction. 

  - Purchased by a South Korean luxury hotel group for a Seoul flagship property.[15] 

 

 

4.    "Cosmic Alphabet " (2012) – $290,000

 

- Auction House: Dubai Art Auction (now defunct) 

- Sale Date: 10 December 2016

- Unique Aspect:

  - Incorporates Persian alphabet letters in fractal patterns. 

  - Sold to Microsoft’s art collection (per Bloomberg).[16] 

 

 

Critical Market Insights

 

1.        Gender Breakthrough: Monir remains the only Iranian woman artist to consistently sell above $500K at auction.[17]

 

2.      Middle Eastern Influence: 85% of her top buyers were from the UAE, Qatar, or Europe-driven by museum-building in the Gulf.[18] 

 

 

Monir’s Legacy: From Tradition to the Global Art Market

 

Monir’s legacy reveals a market principle: Cultural authenticity, when distilled to universal elegance, transcends borders. Her mirrors—fusing light into harmony—reflect her auction success, breaking barriers for Middle Eastern women artists while offering a model for valuing heritage in contemporary markets. As Gulf museums compete for her works, the question lingers: Will her blend of craft and commerce inspire a generation to see tradition not as relic, but as innovation?[19]

 

Essay by Malihe Norouzi / Independent Art Scholar

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