In Plain Sight: What to Do When You Don’t “Get” Modern Art

Saber Saberyan
Saber Saberyan
Published as Gallery
2 min read
17.09.2025
2170
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Modern art. Is there anything else that can strike so much fear in the heart of the average museumgoer?

Canvases are spattered with paint, lined with grids, or barely contain shapes that seem to want to float away. Faces or buildings or trees emerge from a geometric background, but on close inspection, they break apart into brushstrokes. A car tire is cut apart and reassembled. A giant mobile floats in the air, catching the breeze. The whole world is shaded blue. Is it any wonder that, compared to the straightforward, legible works of, say, the Renaissance, this could feel destabilizing?

When it comes to modern art, it’s natural to ask, well, what does it mean? What is this work about? How did we just go from fauvism to cubism to futurism? How could I ever understand this stuff without a graduate degree?

But you can! I promise you, you can. Because modern art is all about being of its own moment—which means that we can feel free to relate it to our moment. “We’re dealing with some of the same issues about how we put the world together,” says Harry Cooper, Bunny Mellon Curator of Modern Art at the National Gallery. “I could sit down with Cezanne and have a conversation that wouldn’t feel so alien.”

We look down onto nine pieces of fruit, a pitcher, a goblet, and a dish arranged on a rustic wood table in front of a floral curtain in this nearly square, loosely painted still life. The table extends off the left edge of the composition and the back, right corner of the table just touches the right edge of the canvas. At the center of the composition, five pieces of marigold-orange fruit with yellow highlights and scarlet-red shading are piled in the dish. The side of the dish to our right is slightly tipped up so the fruit settles near the rim to our left. The dish is painted with loose strokes of sky blue, shell pink, pale yellow, and parchment white. Three more pieces of fruit, including a lemon, sit to our left of the dish and one more piece of fruit sits near the back corner of the table, behind the dish, to our right. Immediately behind the dish is a stemmed glass with a tall, rounded bowl. To our left, between the fruit on the table and in the platter, is a tall, angular, tapering pitcher. The pitcher is painted with emerald and moss-green leaves against a background painted with strokes of light peach, blush pink, slate blue, and one wide stroke of amber orange. The wooden table is peanut brown streaked with strokes of apricot orange and pale sage green. One drawer at the front has a round, wooden pull. There seem to be at least two panels of curtains hanging behind the table. Down the center of the background is a panel of coral peach and saffron orange with a floral pattern painted in wheat brown and denim blue. To our right, the panel is streaked with vertical strokes of teal, midnight, and navy blue. The area to our left, behind the table, could be the panel of a door, painted with pale turquoise. The fruit, dish, vessels, table, curtain, and door are all outlined with cobalt blue.
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